Dangerous Convert-8声卡

   tel:   项目经理：博乐

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whether you’re tracking, mixing or mastering, the dangerousconvert-8 will deliver powerful low-end, articulate mids andtranscendent highs to every channel in your analog rig. patchedinto one of our award-winning analog summing units like the 2-bus+or the d-box – or to your favorite analog console – the convert-8will empower you to create the spacious, three-dimensionalsoundscapes that only real analog summing can deliver. compatiblewith all of today’s digital signals (including the ubi adatformat) the convert-8 is ready to take on any mixing or monitoringjob from standard stereo and 2.1 to 5.1 and the increasinglypopular 7.1 surround format. recognizing the needs of those whodon’t need more analog inputs, the convert-8 brings today’s verybest digital-to-analog conversion within reach of any studio.

it’s all about implementation

while in theory most converters should be the same, among thosewho truly understand this hotly debated and endlessly researchedarea of audio technology, the mantra is implementation,implementation, implementation. how a converter’s components areselected, tweaked and assembled according to a specific design, andthen tuned for superior performance within that plan is what sets aconverter apart – for better or worse. the dangerous convert-2 hasbeen developed by a team of experts with deep, up-to-the-minuteknowledge of digital and analog converter technology.

fine tuning the analog side

a legend among mixing and mastering engineers for decades, chrismuth has designed the analog gear used to mix and master an endlesslist of hit records and classic reissues. chris’s powerful,articulate, hi-fi designs dominated the big studios in new yorkcity since the 80s, and via dangerous his designs have becomeessential components in the best modern daw-based mixing andmastering studios. when dangerous set out to develop a newdedicated stereo dac, chris brought his relentless designphilosophy and world-renowned sound to the convert’s analogtechnology. not only did he develop the audiophile-grade analogaudio path, chris also meticulously fine tuned the low-passreconstruction filters mandatory to implementing any dac. thesefilters lie at the heart of how a converter will perform, and theconvert series has the jaws of top pros hitting the floor when theyhear the big natural sound and the powerful, ultra-clearlow-end.

perfecting the digital side

dangerous brought in digital guru paul messick to make sure thedigital side of the convert-2 would sing in perfect harmony withits finely tuned analog circuit. paul rigorously refined theconvert’s jetpll ultra-low jitter clocking technology until itsurpassed the jet’s stated specs, resulting in the virtualelimination of jitter throughout the audio band and beyond. goneare the sonic headaches and end-of-day fatigue brought on bylong-term exposure to jittery digital audio systems. theconvert-2’s superbly implemented digital technology delivers such anatural, open and non-irritating sound that you’ll forget you’reeven listening to converted 0s and 1s.

detailed information & delightful inspiration

reaching beyond transparency and accuracy, the sound of theconvert-2 is so open and 3-dimensional that many are saying thatthese are the most beautiful, natural sounding converters they’veever heard. whether your focus is tracking, mixing or mastering,when you choose a dedicated stereo dac, you’re choosing the unityou’ll trust to make all your sonic judgments, from choosing a micto deciding how much limiting to use in mastering. you need yourdac to be honest, but you also need it to sound beautiful. with theconvert you get the uncanny combination of detailed information anddelightful inspiration.

features
 •instant input calibration
 •automatic sample rate detection
 •on the fly input switching
 •essential 8-channel metering
 •monitor st connectivity
 
 

specifications

note: dangerous music, inc. publishes actual measuredspecifications, not theoretical numbers derived from data sheetspublished by chip manufacturers. 
 •signal to noise ratio a-weighted, 20hz to 20khz: <114db
 •signal to noise ratio unweighted, 20hz to 20khz: <113db
 •dynamic range a-weighted, 20hz to 20khz: < 114db
 •dynamic range unweighted, 20hz to 20khz: < 113db
 •thd+n: •thd+n, 1khz, unweighted, 20hz to 20khz, +4dbu out:< 94.5db (0.00188%)
 •thd+n, 1khz, unweighted, 20hz to 20khz, +22dbu out: <106.5db (0.00048%)
 
•frequency response @ 96khz sample rate: •dc to 20khz: +0,-0.25db
 •dc to 30khz: +0, -0.5db
 •dc to 40khz: +0, -1.0db
 
•jitter: 16ps (100hz to 40khz), 18ps (100hz to 1mhz)
 •crosstalk rejection: > 114dbu @ 1khz
 •replacement fuses: usa 2 amp slo-blow for 120v europe 1 ampslo-blow for 240v